Charles Chieppo/Jamie Gass: School-test conflict of interest
BOSTON What would have happened if the general manager of the MBTA had also chaired the board of Keolis or the Massachusetts Bay Commuter Railroad when the two companies were competing for the multibillion-dollar contract to operate the T’s commuter-rail system? That would never have been tolerated, and neither should a similar situation that is currently playing out in K-12 education in the commonwealth.
Later this year, Massachusetts Commissioner of Elementary and Secondary Education Mitchell Chester will make a recommendation to the Board of Elementary and Secondary Education about whether to replace the historically successful MCAS test with those developed by the Partnership for the Assessment of Readiness for College and Careers, or PARCC.
The problem is that Chester chairs PARCC’s governing board. As such, he should recuse himself from any involvement with the MCAS/PARCC decision-making process.
Chester serves as secretary to the state board and oversees the process for choosing between MCAS and PARCC. The Department of Elementary and Secondary Education that he heads gathers the information on which the decision will be made and conducts the internal evaluation.
Chester has formed a team of PARCC Educator Leader Fellows within the department. According to a memo from Chester, the PARCC fellows, who receive a stipend, should be “excited about … the Common Core State Standards” and “already engaged in leadership work around them.” The department has no MCAS fellows.
Some local education leaders aren’t buying into the charade that the PARCC/MCAS decision remains an open question. Brookline Superintendent and Massachusetts Association of School Superintendents President William Lupini, in a 2014 letter to the town’s school committee, flatly stated that “MCAS will be phased out in favor of either PARCC or another new ‘next generation’ assessment.”
A strong whiff of conflict tainted the process of choosing between Massachusetts’ previous academic standards and Common Core, which preceded the MCAS/PARCC issue.
The Bill & Melinda Gates Foundation has invested well over $200 million in the development and selling of Common Core. To help inform his 2010 recommendation to the board about whether to adopt Common Core, the three studies Chester relied on were all conducted by Gates-funded entities.
Furthermore, a 2010 WCVB-TV (Ch. 5) report described that he and other department personnel accepted $15,000 in luxury travel and accommodations from Common Core supporters before the board’s decision to adopt.
Gov. Charlie Baker has criticized the MCAS/PARCC and Common Core processes. He told the State House News Service, “I think it’s an embarrassment that a state that spent two years giving educators, families, parents, administrators and others an opportunity to comment and engage around the assessment system that eventually became MCAS basically gave nobody a voice or an opportunity to engage in a discussion … before we went ahead and executed on Common Core and PARCC.”
PARCC is also becoming increasingly desperate, which only increases the temptation to put a thumb on the scale. More than 20 states were originally part of the consortium; that number is now down to seven states and the District of Columbia.
The MCAS/PARCC choice is Chester’s last chance to regain the public’s trust in his department’s ability to manage an impartial, transparent and accountable process. As chairman of PARCC’s governing board, the first step is to recuse himself from the decision.
Charles Chieppo (Charlie_Chieppo@hks.harvard.edu) is a senior fellow and Jamie Gass directs the Center for School Reform at Pioneer Institute, a Boston-based think tank. This piece first ran in the Boston Herald.
Don Pesci: In Conn., the fine art of insincerity
VERNON, Conn
Heidi Simmons: Is poetry dead? Does anyone care?
STONINGTON, Conn.
A decade ago Newsweek Magazine published an article with the provocative headline: "Poetry is Dead. Does Anybody Really Care?" The author concluded that while "poetry is the highest form of writing," it takes "work" and that our culture was becoming "intensely prosaic."
All true. But back then poetry was still alive. Sadly I believe that the answer today would be different because poetry has been dropped from the Connecticut state "Common Core" writing standards for the curriculum for kindergarten through Grade 5.
As a result, overburdened elementary school teachers have little incentive to give it much time. Today the writing focus is on opinion, explanatory texts and narratives.
But if elementary-school students never have the opportunity to explore their natural inclination for poetic expression, imagination, and word use, they will not fully develop their literary skills. Just as an artisan cannot become competent in his skill without understanding his tools, writers must become comfortable with their verbal tools. Writing poetry inspires and refines a child's use of words as tools. A fifth-grade student struggling with self-expression wrote a poem wherein he described his thoughts as a "jumbled mess of words" that were "fighting to get out by rearing, writhing, whipping, lashing, striking, and beating at his head until finally they seeped onto the paper."
The struggle of expressing an idea and the welcome relief when it is finally spread out on a page are clear in this student's poem. Words become friends and writing becomes fun. Poetry is a child's natal language, a voice with which children are born. Their engagement in the poetic elements of language begins in utero with the rhythm of the first heartbeats. The infant's poetic voice evolves into a delight of manipulating sounds. This is precursor to a child's delight in the rhythms and intonations of nursery rhymes.
A second-grade student of mine found rhythmic joy in her description of a thunderstorm. The "blunder slunder" of the storm blew hard through the trees and the "slunder dunder" of the storm rolled past her eyes as the trees were "flit blit" shaking and throwing their leaves.
Another gift of youth so apparent in elementary school is imagination. One of my fourth-grade students imagined sneakers to be alive as they reclined in the closet after a long run, "tired with their tongues hanging out" and their "shoelaces drooping" just before their "eyelets fluttered" to sleep.
Poetic imagination helps children to bridge the familiar concrete world with the strange and abstract world of adults. Children experience their physical world with a sensual scrutiny. They can see, hear, taste, and touch what has become banal and insignificant to adults. They can use the imaginative poetic tools of comparison to communicate and understand intangible concepts.
One young student of mine, in an effort to share her concept of poetry, imaginatively compared it to all the five senses. Poetry felt like a "corduroy jacket," sounded like a "whispering moon," looked like "her chubby orange crayon, dull at the tip," tasted like "summer honey," and smelled like "a lavender wand." In this way she traveled to a place where prose does not go.
These are examples of elementary school children who have had their natal gift of poetry nurtured in a K-5 literacy environment before "Common Core" standards entered the classroom. Before students address the rugged tasks directed by "Common Core" of writing something "supporting a point of view with evidence" or "examining an idea and conveying information clearly," it would seem important to sharpen their imagination and love of words through poetic wordplay.
Students who have experienced poetry writing show greater fluency and sensitivity to language in all their writing. Poetry helps writing to be fun. Surely this is good for our children's intellectual well-being. Is poetry dead? Let's hope not. Does anybody really care? We all should.
Heidi Simmons was the K-5 literacy coach at the Regional Multicultural Magnet School in New London, Conn., for 15 years before retiring this spring. She lives in Stonington. This first ran in the Journal Inquirer, of Manchester, Conn.