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Off season

“At Noon,’’ by Niva Shrestha, in her show “Place,’’ at Galatea Fine Art, Boston, July 2-Aug. 1 She tells the gallery:"Architecture has been the main subject in my work for the last nine years. From windows to rooftops, stairs to poles; every line and shape are intertwined creating movements and stillness. Thus, I paint with the inspiration from these places where wonderful and playful compositions are naturally formed. ‘‘

At Noon,’’ by Niva Shrestha, in her show “Place,’’ at Galatea Fine Art, Boston, July 2-Aug. 1

She tells the gallery:

"Architecture has been the main subject in my work for the last nine years. From windows to rooftops, stairs to poles; every line and shape are intertwined creating movements and stillness. Thus, I paint with the inspiration from these places where wonderful and playful compositions are naturally formed. ‘‘

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Early morning gull

See www.nivaartwork.com and galateafineartcom“Lobster Co-Op in Stonington {Maine} ‘‘ (oil) , by Niva Shrestha in Galatea Fine Art’s online gallery. This text ran with it:“The first sound one hears is the gull calling the morning. It has been a long …

See www.nivaartwork.com and galateafineartcom

Lobster Co-Op in Stonington {Maine} ‘‘ (oil) , by Niva Shrestha in Galatea Fine Art’s online gallery. This text ran with it:

“The first sound one hears is the gull calling the morning. It has been a long work day, and it seemingly was never over. The dawn calls to duty, to awaken todoing-ness, sleep and rest a dim memory. But the day is a blessing, a legacy to generations past and future.’’

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Inn a 'dreamlike atmosphere'

“Inn on the Harbor’’ (oil painting), by Niva Shrestha, of Arlington, Mass., as seen at Galatea Fine Art’s (Boston) online gallery. Galatea says the painting “has a humorous, almost carnival-like quality to it. The buildings seem to stand alone in a …

“Inn on the Harbor’’ (oil painting), by Niva Shrestha, of Arlington, Mass., as seen at Galatea Fine Art’s (Boston) online gallery. Galatea says the painting “has a humorous, almost carnival-like quality to it. The buildings seem to stand alone in a sun-washed, dream-like atmosphere. The artist plays with shadows and light; the buildings are treated as if they were pure form, and the deliberate juxtaposition of these angular forms create a Mondrian-like sensibility.’’

See:

www.nivaartwork.com

and:

galateafineart.com

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Good place to work at low tide

"A Little Shed at Dusk'' (oil on panel), by Niva Shrestha, in her show "Townscape,'' at Galatea Fine Art, Boston, May 3-28.

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