William Morgan: The utilitarian and the romantic in the Granite State
A 50-cent picture found in a junk store in Warren, R.I., is the ultimate Granite State winter pin-up. On the rear, penned in real ink, is the legend: “Sue Nardi on Snowplow/South Lyndboro, N.H./Feb. 12, 1950’’
Lyndeborough is a small upland village in southwestern New Hampshire, just above where Stony Brook joins the Souhegan River, which provided power for the 19th-Century textile mills at Wilton, N.H.
The image was printed in someone’s basement or in a school darkroom, as the edges of the image are not parallel. My guess is that this is probably a yearbook photograph.
It is more romantic, however, to imagine that the photographer was Sue Nardi’s adoring boyfriend. (Valentine’s Day was just two days away.)
The fetching Italian-American dressed up for this glamour shot. Despite the snow, she is wearing penny loafers and her trousers are seriously ironed. (Feb. 12 of that year was a Sunday, but surely Miss Nardi would have worn a dress to Mass?)
If still with us, Sue would be around 90 – perhaps still treasuring memories of posing against that essential northern New England implement, a snowplow.
William Morgan is an essayist and architectural historian. He is the author of Monadnock Summer: the Architectural Legacy of Dublin, New Hampshire. His next book, Snowbound: Dwelling in Winter, will be published next year by Princeton Architectural Press.