RWhitcomb-editor 4/16/22 RWhitcomb-editor 4/16/22 Too wet to plant yet “Spring Field’’ (acrylic on canvas), by Hannah Bureau, in her show “Open Air,’’ at Edgewater Gallery, Middlebury, Vt. through May 22. A native of Paris, she’s now based In Waltham, Mass. Read More RWhitcomb-editor 10/31/19 RWhitcomb-editor 10/31/19 'Depth and nostalgia' ”Field in Green’’ (oil on canvas) by Hannah Bureau’ in her show “Intersect,’’ opening in November at Edgewater Gallery, Boston. The gallery explains:“Hannah Bureau's paintings lie at the intersection of landscape and abstraction. She is interested in creating space and distance that feels like the familiar world around us but is ambiguous, general, and abstracted. In Bureau's painted world she establishes visual plains and geometric shapes that intersect, overlap, pile-up, and ultimately create a sense of visual distance, depth and nostalgia.’’ Read More
RWhitcomb-editor 4/16/22 RWhitcomb-editor 4/16/22 Too wet to plant yet “Spring Field’’ (acrylic on canvas), by Hannah Bureau, in her show “Open Air,’’ at Edgewater Gallery, Middlebury, Vt. through May 22. A native of Paris, she’s now based In Waltham, Mass. Read More
RWhitcomb-editor 10/31/19 RWhitcomb-editor 10/31/19 'Depth and nostalgia' ”Field in Green’’ (oil on canvas) by Hannah Bureau’ in her show “Intersect,’’ opening in November at Edgewater Gallery, Boston. The gallery explains:“Hannah Bureau's paintings lie at the intersection of landscape and abstraction. She is interested in creating space and distance that feels like the familiar world around us but is ambiguous, general, and abstracted. In Bureau's painted world she establishes visual plains and geometric shapes that intersect, overlap, pile-up, and ultimately create a sense of visual distance, depth and nostalgia.’’ Read More