Out from our caves

“Contagion” (mixed media and collage), by Carolyn Newberger, in the group show “Light From Above: Emerging Out of Isolation,’’ at Galatea Fine Art, Boston, through Oct. 31.

See:

galateafineart.com

Playing on at Tanglewood?

“Yo-Yo Ma, Emmanual Ax, Leonidas Kavakas at Tanglewood” (ink and pastel on toned paper), by Carolyn Newberger, at Galatea Fine Art, Boston, visible to the general public only on the Internet.

At this writing, the 2020 season at the Boston Symphony Orchestra’s famed summer home, in Lenox, Mass., in the Berkshires, was still on.

Seiji Ozawa Hall at Tanglewood

Danger! Don't eat!

“Climbing Oysters” (watercolor and pastel), by Carolyn Newberger, in her two-person show, “Nature and Abstraction,’’ with Philip Gerstein at Galatea Fine Art, Boston, now closed to the public.

‘Nature and Abstraction’

“Uprising” (acrylic and mixed media on wood panel), by Philip Gerstein, in his joint show with Carolyn Newberger, “The Color of Seasons: Nature and Abstraction,’’ at Galatea Fine Art, Boston, April 1-26

The artists say:

“We approach nature from seemingly opposite directions, across the line that is supposed to divide abstraction from realism. Carolyn enters the forest with paints and watercolor notebook in her fanny pack and a folding stool on her back. She records in images and words the hidden treasures that she finds. In a studio, Philip finds form, rich texture, and emotive color as he creates vibrant abstract canvasses.

“Though the seasons of nature inspire both of us, Carolyn finds her inspiration within the living forest. Through distillation and interpretation she moves in her paintings from realism toward abstraction. For Philip, as form and color emerge, he finds nature revealed within, drawing inspiration from ancient Chinese landscape painting and the rich achievements of 20th century abstract painters.

“Both of us search until we find that living vibration, the pulse of life, clearly heard emanating from beneath the layers of paint before solidifying into form. Hung together in pairs, our paintings converge and contrast, evoking nature in its many interpretations -- and creating a vibrant dialogue of form, color and emotional impact’’

At Galatea Fine Art

“Everything is Interesting’’ (watercolor and pastel), by Carolyn Newberger.

As painters, we approach nature from seemingly opposite directions, across the line that is supposed to divide abstraction from realism. Carolyn enters the forest with paints and watercolor notebook in her fanny pack and a folding stool on her back. She records in images and words the hidden treasures that she finds. In a studio, Philip finds form, rich texture, and emotive color as he creates vibrant abstract canvasses.

Though the seasons of nature inspire both of us, Carolyn finds her inspiration within the living forest. Through distillation and interpretation she moves in her paintings from realism toward abstraction. For Philip, as form and color emerge, he finds nature revealed within, drawing inspiration from ancient Chinese landscape painting and the rich achievements of 20th century abstract painters.

Both of us search until we find that living vibration, the pulse of life, clearly heard emanating from beneath the layers of paint before solidifying into form. Hung together in pairs, our paintings converge and contrast, evoking nature in its many interpretations -- and creating a vibrant dialogue of form, color and emotional impact.

Integrating drawings and music

 "Compania Irene Rodriguez'' (watercolor and ink), by Carolyn Newberger, in  her show "In Concert,'' at Galatea Fine Art, Boston, April 4-29.

She told the gallery:

"Sitting in a darkened concert hall, with a loose hand and receptive mind I try to capture the urgency, spark, and character of sublime music and dance.  The sounds and movements animate my pen as their spirits penetrate my soul.

"For the past several years, my husband, Eli, and I, both musicians, have been reviewing music and dance performances at the Tanglewood, Jacob’s Pillow, and Aston Magna festivals. We work for The Berkshire Edge, a newspaper of ideas, news and culture serving Western Massachusetts. 

"Integrating drawings with music and dance commentary fits naturally into my complex identity as an artist, writer and musician. In this show, the first of its kind, I offer illustrative reviews with their attendant drawings that express my respect for art’s capacity to exalt and inspire.''