Inspired by Boston landmarks
"IYKYK" (wood, plastics), by Christopher Abrams, in his show "IYKYK," at Boston Sculptors Gallery, Oct. 3-Nov. 3.
The famous sign at Kenmore Square, in Boston.
The gallery says:
“The show is a series of small-scale sculpture based on iconic landmarks and forgotten histories in the Boston area. While Abrams continues to concentrate on small-scale representational concerns, the artist revisits and redirects his focus, abandoning the intense fealty to detail that characterizes his earlier miniature efforts, in favor of finding essential, meaningful symbols and imagery.
“Taking inspiration from his hometown, Abrams draws on the events and visual vocabulary that create and distinguish the unique identity of Greater Boston. Selecting and amplifying elements of the local, shared visual fabric, Abrams weighs how seemingly minor details can allude to a rich, shared narrative.’’
All is perfect in Boston
On the Commonwealth Avenue Mall, in Boston's Back Bay.
The people’s lives in Boston
Are flowers blown in glass;
On Commonwealth, on Beacon,
They bow and speak and pass.
No man grows old in Boston,
No lady ever dies;
No youth is ever wicked,
No infant ever cries.
From E.B. White’s poem “Boston Is Like No Other Place in the World Only More So,’’ published in the Sept. 23, 1949 New Yorker. Here’s the whole poem.
Primacy in plumbing
Edited from From The Boston Guardian
In 1829, the Tremont Hotel opened at the corner of Tremont and Beacon streets in downtown Boston. It had 170 rooms that each rented for $2 a day and included four meals. In 1869 the Tremont became the first hotel in the U.S. to install indoor plumbing. Notable guests included Davy Crockett and Charles Dickens. In 1895, the hotel was razed and replaced with an office building.
Taking it underground, away from the horse manure
Photo of the opening, on Sept. 1, 1897, of the first subway in the United States, a segment of the Green Line tunnel between Park Street and Boylston stations.
Horse-drawn beer wagon in Boston in early 20th Century.
Nervous gay times on lower Washington Street
Washington Street in the 1920’s.
Excerpted from From The Boston Guardian
(New England Diary’s editor, Robert Whitcomb, is chairman of The Boston Guardian.)
“Before the Combat Zone, lower Washington Street was Gay Times Square, a mecca of bright lights, entertainment and a tolerance for life beyond the societal norms of heterosexuality….
“Prior to being plagued with strip joints with names like The Naked i Cabaret and the Pussycat Lounge, the neighborhood was home to Playland, the Petty Lounge and Touraine Cafe. The gathering places drew an LGBTQ crowd, while the local theaters, such as the Stuart Theater and the Pilgrim, created a show-business atmosphere that New York’s Times Square is known for.
“Many of the bar owners in the area often used bribery or connections with organized crime to keep police from raiding their establishments, according to research from The History Project, a Boston-based LGBTQ history organization.
“In the 1950s and 1960s, threats of persecution and prosecution kept the LGBTQ community underground, making many of the bars on Washington Street appealing….”
Jay L. Zagorsky: What about all that small change we leave at airports?
TSA officer at airport with a tray of prohibited items.
BOSTON
Should the U.S. get rid of pennies, nickels and dimes? The debate has gone on for years. Many people argue for keeping coins on economic-fairness grounds. Others call for eliminating them because the government loses money minting low-value coins.
One way to resolve the debate is to check whether people are still using small-value coins. And there’s an unlikely source of information showing how much people are using pocket change: the Transportation Security Administration, or TSA. Yes, the same people who screen passengers at airport checkpoints can answer whether people are still using coins – and whether that usage is trending up or down over the years.
Each year, the TSA provides a detailed report to Congress showing how much money is left behind at checkpoints. A decreasing amount of change would suggest fewer people have coins in their pockets, while a steady or increasing amount indicates people are still carrying coins.
The latest TSA figure shows that during 2023, air travelers left almost US$1 million in small change at checkpoints. This is roughly double the amount left behind in 2012.
At first glance, this suggests more people are carrying around and using coins. But as a university researcher who studies both travel and money usage – as well as a keen observer of habits while lining up at airport checkpoints – I know the story is more complicated than these numbers suggest.
What gets left behind?
More than 2 million people fly each day in the U.S., passing through hundreds of airport checkpoints manned by the TSA. Each flyer going through a checkpoint is asked to place items from their pockets such as wallets, phones, keys and coins in either a bin or their carry-on bag. Not everyone remembers to pick up all their items on the other side of the scanner. About 90,000 to 100,000 items are left behind each month, the TSA estimates.
For expensive or identifiable items such as cellphones, wallets and laptops, the TSA has a lost-and-found department. For coins and the occasional paper bills that end up in the scanner bins, TSA has a different procedure. It collects all that money, catalogs the amount and periodically deposits it into a special account that the TSA uses to improve security operations.
That money adds up, with travelers leaving behind almost $10 million in change over the past 12 years.
The amount of money left varies by airport. JFK International Airport in New York City is consistently in one of the top slots for most money lost, with travelers leaving almost $60,000 behind in 2022. Harry Reid International Airport, which serves Las Vegas, also sees a large amount of money left behind. Love Field in Dallas, headquarters of Southwest Airlines, is often near the bottom of the list, with only about $100 lost in 2022.
People lose money while going through security for a few reasons. First, some cut it close getting to the airport, and in their rush to avoid missing their plane, they don’t pick up everything after screening. Second, sometimes TSA lines are exceptionally long, leaving people to again scramble to make up time. And finally, TSA checkpoints are often confusing and noisy places, especially for new or infrequent travelers. Making it more confusing is that some airports have bins featuring advertisements, which distract travelers who only quickly glance to check for all their items.
How much is lost?
TSA keeps careful track of how much is lost because the agency is allowed to keep any unclaimed money left behind at checkpoints. TSA records show people left behind half a million dollars in 2012. This rose to almost a million in 2018. The drop in travel due to the COVID-19 pandemic reduced the figure back to half a million in 2020. In 2023, people left $956,000.
These raw figures need two adjustments to accurately track trends in coins lost. First, the numbers need to be adjusted for inflation. From 2012 to 2023, the consumer price index rose by 33%. This means a dollar of change in 2012 purchased one-third more than it did 12 years later.
Second, the number of people flying and passing through TSA screening has changed dramatically over time. In 2012, about 638 million people went through the checkpoints. By 2023, that had risen to 859 million people, which is about 1,000 people every 30 seconds across the entire U.S. when airports and checkpoints are open.
Adjusting for both inflation and the number of people screened shows no change in the amount of money lost. My calculations show back in 2012 about $1.10 in coins was lost for every 1,000 people screened. In 2023, about one penny more, or $1.11, was lost per 1,000.
The peak year for money being lost was 2020, when $1.80 per 1,000 people was left behind. This was likely due to people not wanting to touch objects out of misplaced fear they could contact COVID-19. During the pandemic, people in general carried less money.
The world is increasingly using electronic payments. The data from TSA checkpoints, however, clearly shows people are carrying coins at roughly the same rate as back in 2012. This suggests Americans are still using physical money, at least for making small payments – and that the drive to get rid of pennies, nickels and dimes should hold off a while longer.
Jay L. Zagorsky is associate professor of markets, public policy and law at Boston University.
He does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond his academic appointment.
What happened to downtown Boston 'height bonus' model?
“The Downtown’s deferred zoning update has abruptly lost one of its core propositions, replacing a pay-for-height proposal with new ‘skyline districts’ and leaving compensation for that height to the yet undecided Article 80 process.
“The Boston Planning and Development Agency (BPDA) outlined the changes in an April 9 public meeting on PLAN: Downtown, a sweeping set of reforms that drastically changes downtown zoning to allow more businesses and, in some places, increases the maximum building height by hundreds of feet.
“PLAN: Downtown was supposed to be resolved back in November but proved controversial enough to delay full adoption and split into three parts to be debated separately this year.
“Now PLAN: Downtown seems to have lost its central ‘height bonus’ model that allowed developers to build by right up to state shadow and aviation limits in exchange for proportional donations to a community fund.’’
To read the whole article, please hit this link.
'Reflection of the presence of time'
“Untitled” (various media on panel), by Cambridge, Mass.-based George Shaw, in his current show, “Architecture of Time,’’ at Galatea Fine Art, Boston.
Mr. Shaw says:
“Architecture has always fascinated me because of its presence and how it modifies our experience of place and time. The pieces in this show are a reflection of this and are intended to be a meditation on objects as a reflection of the presence of time. Time is essential to our sense of being, yet it is intangible and only manifests itself in our memories and objects.’’
Cullen Paradis: Are BlueBikes in Boston skirting state safety law?
Biking in the Back Bay
(New England Diary editor Robert Whitcomb is chairman of The Boston Guardian)
“BlueBikes in Boston may be skirting state regulations meant to ensure bike safety, fulfilling a helmet availability requirement by selling them on their online storefront.
“State law requires all bike rental businesses to make helmets available to customers as well. Yet if you pay for a ride at a BlueBike rack, you won’t see any helmet being offered.
“That’s because the company fulfills its legal obligation by selling branded helmets on its website, ensuring all customers have the option of safety so long as they’re willing to walk the bike home, wait for the helmet to be shipped to them, and only then ride to their destination.
“That’s if customers can even find the storefront. The BlueBikes Website does not include a link in the top banner, tucking the sole mention of a store all the way at the bottom of the page next to the privacy statement and career board….’’
To read the whole article, please hit this link.
Cullen Paradis is a Boston Guardian reporter
BlueBikes are the Ruggles MBTA station in 2019.
Happy days
“Boston Public Garden Serenade,’’ by Sudakshina Bhattacharya, in the show “Clean Slate: A Juried Exhibition Inspired by the Change of Season,’’ at StoveFactory Gallery, in Boston’s Charlestown section.
— Photo of painting courtesy of the artist
The gallery says the show “embraces spring through 68 works made by 48 artists who create across all mediums. ‘‘
Stuck on the seas
“The Flying Dutchman,’’ by James Cole, in his show at Galatea Fine Art, Boston, through March 30.
‘Despise the glare of wealth’
Surely you never will tamely suffer this country to be a den of thieves. Remember, my friends, from whom you sprang. Let not a meanness of spirit, unknown to those whom you boast of as your fathers, excite a thought to the dishonor of your mothers I conjure you, by all that is dear, by all that is honorable, by all that is sacred, not only that ye pray, but that ye act; that, if necessary, ye fight, and even die, for the prosperity of our Jerusalem. Break in sunder, with noble disdain, the bonds with which the Philistines have bound you. Suffer not yourselves to be betrayed, by the soft arts of luxury and effeminacy, into the pit digged for your destruction. Despise the glare of wealth. That people who pay greater respect to a wealthy villain than to an honest, upright man in poverty, almost deserve to be enslaved; they plainly show that wealth, however it may be acquired, is, in their esteem, to be preferred to virtue.’’
—- John Hancock ( 1737 -1793), an American Founding Father, rich Boston-based merchant, statesman and prominent Patriot of the American Revolution. He served as president of the Second Continental Congress and was the first and third governor of the Commonwealth of Massachusetts. This quote is from his “Boston Massacre Oration,’’ on March 5, 1774.
Indie bookstores in Boston doing well
(New England Diary’s editor, Robert Whitcomb, is chairman of The Boston Guardian)
Boston’s independent bookstore scene is at its healthiest in decades, and it could continue communities, while three existing stores have expanded their operations, according to The Boston Globe. Boston’s downtown neighborhoods have seen the lion’s share of this growth, growing in 2024.
Since 2020, at least eight claiming four of the openings and bookstores have set up shop one of the expansions.
Paired with bookstores’ slim margins, Boston’s expensive commercial real estate has largely prevented bookstores from opening downtown over the past few decades, said Beth Ineson, executive director of the New England Independent Booksellers Association, a trade association. But that changed after a dip in real estate prices following the pandemic.
“My association has seen an unprecedented amount of growth across the entire region during that time because there was more commercial real estate easily available,” she said. Even after its recent renaissance, downtown’s bookstore scene could still have some room to grow. Ineson said that because of Boston’s highly educated population, the city still has fewer bookstores than one would expect for a city of its size.
“Our demographics in Boston proper really should support far more independent bookstores than have previously been downtown,” she said. “Given the population here, there’s certainly always room for more stores, and I’m delighted that we see stores opening in different neighborhoods in the city.”
Of Boston’s downtown neighborhoods, the Seaport has seen some of the most impressive growth in its bookstore scene. Though it didn’t have a bookstore before the pandemic, the fast-growing and once- industrial neighborhood now has two just blocks apart.
Boston women’s shelter gets boost from foundation created by former Red Sox owners
Edited from a New England Council report
“The Pine Street Inn has used some of the $15 million it has received from the Yawkey Foundation to help expand and otherwise improve the women’s shelter, in Boston’s South End. The Yawkey family were long-time owners of the Boston Red Sox.
“The $15 million award represents the largest single donation in the Pine Street Inn’s 55-year history. After getting the donation, Pine Street is getting going on its plan to add 400 to 500 new units of permanent housing over the next five years, which will mark about a 40 percent expansion in its capacity. This increase will arrive at a crucial juncture, as Boston faces the dual challenges of an influx of migrants and escalating housing costs.
“‘Even this isn’t enough, but it’s a beginning,’ said Pine Street Inn President Lyndia Downie. Pine Street and Yawkey Foundation officials recently gathered at the women’s shelter to celebrate the late Jean Yawkey’s 115th birthday through the naming of the ‘Yawkey House.’ More than 1,300 women are supported each year through Pine Street’s outreach. It hopes to help more.’’
GOP mulls ‘Slayveree’; See haunting bas relief in Boston
From the National Park Service:
The Robert Gould Shaw and Massachusetts 54th Regiment Memorial, installed in 1884, a haunting bronze bas relief on the Boston Common, and created by famed sculptor Augustus Saint-Gaudens, commemorates the first Black regiment from the North in the Civil War. Although African Americans served in both the Revolutionary War and the War of 1812, Northern racist sentiments kept African Americans from taking up arms for the United States in the early part of the Civil War. However, a clause in Abraham Lincoln's 1863 Emancipation Proclamation allowed for the raising of Black regiments. Gov. John Andrew soon created the Massachusetts 54th Volunteer Infantry. He chose Robert Gould Shaw, the son of wealthy abolitionists, to serve as its colonel. Notable abolitionists including Frederick Douglass and local leaders such as Lewis Hayden recruited men for the 54th Regiment. African Americans enlisted from every region of the north, and from as far away as Canada and the Caribbean.
Through their heroic, yet tragic, assault on Fort Wagner, S.C., on on July 18, 1863, in which Shaw and many of his men died, the 54th helped erode Northern public opposition to the use of Black soldiers and inspired the enlistment of more than 180,000 Black soldiers into the Union’s forces.
The front of Linden Place, the Bristol, R.I., mansion built in 1810 for infamous slave trader (and other “cargoes”), privateer and ship owner Gen. George DeWolf and designed by architect Russell Warren. The mansion now operates as a historic house museum.
— Photo by Bbucco/ Tiffany Axtmann Photography
A physician’s memoir of a son’s and his own early-onset cancer
Sidney Farber, M.D. (1903-1973), of Children’s Hospital, Boston, with a patient. Dr. Farber, a pediatric pathologist, is regarded as the father of modern chemotherapy. The famed Dana-Farber Cancer Institute, in Boston, is named for him and philanthropist Charles Dana. Some of Dr. George H. Beauregard’s book, Reservation for 9, occurs at Dana-Farber.
Numerous cell signaling pathways are disrupted in the development of cancer.
— Graphic by Roadnottaken
Adapted from Robert Whitcomb’s “Digital Diary,’’ in GoLocal24.com
I’ve been watching a physician/health-care executive friend, George H. Beauregard, prepare a book, yet to be published, titled Reservation for 9, that’s both a memoir and a medical saga, most of it set in Greater Boston.
The book tells how he and his son Patrick developed different advanced-stage early-onset cancers (early onset defined as cancers diagnosed in patients under 50), creating seismic changes in their lives, and those of their whole colorful nuclear family of six, that accompanied their illnesses. It’s a story about a complex family history, fear, grief and hope, along with the science and institutions of medicine, and provides much insight for others battling the disease.
There has been an alarming global increase in the incidence of cancer affecting younger adults. Patrick’s colorectal cancer was diagnosed when he was 29, and it killed him at 32, but not before he became an inspiring national spokesman for other victims. Dr. Beauregard, for his part, was diagnosed with bladder cancer at age 49 but is now apparently cured.
Patrick’s story continues to be cited in national news media, including recently in The Wall Street Journal.
Appearing as a guest on the Today Show on March 10, 2020, he said:
“In a situation like this, your mind can either liberate you or essentially incarcerate you...and you choose what to make of it.’’
“I don’t see the point in being negative in this. Negativity is only going to bring on more negativity. I choose to have a positive outlook and always have hope, and I don’t see why you would ever decide not to.”
Results from The Reproducibility Project: Cancer biology suggest most studies of the cancer research sector may not be replicable.
Travel, time and place
Left ,“Interior V ‘‘ (photograph on aluminum), by Rebecca Skinner. Right, “W. 42nd St.’’ (oil on panel), by Chris Plunkett, in the group show “Travelling,’’ at Fountain Street Fine Art, Boston.
The gallery says:
“‘Travelling’ suggests a sojourn to a destination in some form or another, and the concept of ‘place’ is examined along multiple vectors by this group of artists. Rebecca Skinner’s interior/exterior photographs of abandoned places contain a textural richness revealing a morphological study not merely of paint, brick, and wood, but also the chronological layers of story. The vibrant cityscapes that fluidly leap from the brush of Chris Plunkett….{T}he intensity of his palette turns recognizable metropolitan scenes into urban spectacles out of fondly remembered dreams.’’
The ‘meaning of weight’
From Massachusetts-based arist Kledia Spiro’s show “Drawing in Air,’’ at Kingston Gallery, Boston, through Jan. 28.
The gallery says:
“Kledia Spiro’s solo exhibition ‘Drawing in Air’ delves into the fascinating interplay of weight, legacy, and the human experience.
”Over the last decade, {Albanian-born} Spiro has embarked on a quest to understand the meaning of ‘weight’ in people's lives. Spiro's project blurs the lines between information design and art, using drawings to create data for music production. In the gallery, Spiro will physically paint signature light drawings in mid-air. Spiro has collaborated with two diverse musicians, Lianna Sylvan and Kevin Baldwin, to translate her light drawings into a captivating music composition. Using sensors placed throughout the exhibition, each drawing triggers a unique sound experience for the visitor.’’
‘Poetry of their corpses’
“Hark,” (pastel), by Fu’una, in the show “Måhålang (Longing)”, at Bromfield Gallery, Boston, through Jan. 28.
The artist says:
“There are few things more consistent in my life than a sense of longing. To be Pacific Islander on the East Coast is to feel like a part of you is always missing. In my trips to Guåhan (Guam) I’ve learned to make the most of my time. I gather images and ideas that feed my creative practice. This practice has helped me connect to wherever I am living.
“In an era where we spend 90 percent of our lives in artificial environments, I find joy in the flora and fauna that indicate where you are. But biodiversity continues to shrink as land is eaten up by condos and shopping centers. For years I would draw dead animals not just for the poetry of their corpses but for the simple fact that we are an invasive species that has disrupted once thriving habitats. I seek out what I can find and compose them in my paintings into bouquets of animals, florals, and text.
“The antidote to måhålang is presence and connection. My large-scale paintings hint at memories of immersion and claim physical space where my subjects can live in perpetuity.’’