‘Biological narratives’

Untitled work (woodcut and lithograph collage) by Maine-based artist Amanda Lilleston in her show “Deep Field,’’ at The Zillman Art Museum, Bangor, Maine, through Dec. 30.

The museum says:

“Amanda Lilleston explores biological narratives through woodcut printing and collage in her exhibition deep field. The prints highlight the concept of transformation, depicted in burgeoning colors of flora. Lilleston began this body of work about ten years ago – the idea stemming from, ‘a broader, general interconnectedness of systems: biological, physiological, and ecological.’  

“The themes that permeate her artwork reflect Lilleston’s educational and life experience – as well as motherhood. The artist explains that she has become ‘acutely aware of my body being part of a larger environment.’ Lilleston thoughtfully examines these natural subjects to allow for adaptation and change within the imagery.”

Turn of the 20th Century postcard. Bangor was for years one of the world’s lumber capitals because of its proximity to the Great North Woods and that Bangor was the last deep water port on the Penobscot River. It also had good freight and passenger rail service.

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