The hanging of the green
“Slip” (thread, day glow paint and monfilament), by Marilu Swett, in her show at Boston Sculptors Gallery, Feb. 23-March 27.
The artist, based in Boston’s Jamaica Plain neighborhood, tells the gallery:
“My sculptures and drawings allude to natural systems and subsystems, microscopic, telluric and oceanic form, the human body, and industrial artifacts. I have lately been looking at the ocean and its littoral variety with pleasure and concern, with a strong interest in our history with and debt to it. My recent work reflects my musings. I cast, draw, scrub, carve, cut, tool, dye and paint materials to produce complex drawings and forms in plastic, resin, lead, bronze, rubber and mixed media. I sometimes include found objects. The work is serious and fanciful, abstracting, inventing, and drawing relationships among forms."
Soldier's Monument and First Unitarian Universalist Church in Jamaica Plain
Skating in Jamaica Plain, by Winslow Homer, 1859. The community, a part of the town of West Roxbury for a while, became part of Boston when the city annexed West Roxbury in 1874.