New England Diary

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'Down to the Puritan marrow'

“The Ice Hole’’, by Maine painter and writer Marsden Hartley (1877-1943)

When the world turns completely upside down

You say we’ll emigrate to the Eastern Shore

Aboard a river-boat from Baltimore;

We’ll live among wild peach trees, miles from town,

You’ll wear a coonskin cap, and I a gown

Homespun, dyed butternut’s dark gold color.

Lost, like your lotus-eating ancestor,

We’ll swim in milk and honey till we drown.


The winter will be short, the summer long,

The autumn amber-hued, sunny and hot,

Tasting of cider and of scuppernong;

All seasons sweet, but autumn best of all.

The squirrels in their silver fur will fall

Like falling leaves, like fruit, before your shot.



2

The autumn frosts will lie upon the grass

Like bloom on grapes of purple-brown and gold.

The misted early mornings will be cold;

The little puddles will be roofed with glass.

The sun, which burns from copper into brass,

Melts these at noon, and makes the boys unfold

Their knitted mufflers; full as they can hold

Fat pockets dribble chestnuts as they pass.


Peaches grow wild, and pigs can live in clover;

A barrel of salted herrings lasts a year;

The spring begins before the winter’s over.

By February you may find the skins

Of garter snakes and water moccasins

Dwindled and harsh, dead-white and cloudy-clear.


3

When April pours the colors of a shell

Upon the hills, when every little creek

Is shot with silver from the Chesapeake

In shoals new-minted by the ocean swell,

When strawberries go begging, and the sleek

Blue plums lie open to the blackbird’s beak,

We shall live well — we shall live very well.


The months between the cherries and the peaches

Are brimming cornucopias which spill

Fruits red and purple, sombre-bloomed and black;

Then, down rich fields and frosty river beaches

We’ll trample bright persimmons, while you kill

Bronze partridge, speckled quail, and canvasback.



4

Down to the Puritan marrow of my bones

There’s something in this richness that I hate.

I love the look, austere, immaculate,

Of landscapes drawn in pearly monotones.

There’s something in my very blood that owns

Bare hills, cold silver on a sky of slate,

A thread of water, churned to milky spate

Streaming through slanted pastures fenced with stones.


I love those skies, thin blue or snowy gray,

Those fields sparse-planted, rendering meagre sheaves;

That spring, briefer than apple-blossom’s breath,

Summer, so much too beautiful to stay,

Swift autumn, like a bonfire of leaves,

And sleepy winter, like the sleep of death.

— “Wild Peaches,’’ by Elinor Wylie (1885-1928), a sometime resident of Connecticut