Coastal confrontation
The museum says:
“A segmented map stretching across the gallery floor and rising to the ceiling is the central feature of Jessica Straus’s immersive installation. Its scale dwarfs us. The distinctive New England shoreline is recognizable. This is the Gulf of Maine, with waters descending from Ktqmkuk, now called Newfoundland, to Patuxet, the crook of land stretching out to the sea that we know as Cape Cod.
“Paired with the map is a series of photographs, partially occluded by hand-knotted fishing nets. In each image, a piece of the map floats atop lapping ocean waters, sometimes with the artist and other times adrift. The mesmerizing images allow us to contemplate the seen and unseen currents of the ocean.
“Deftly carved fish—cod—are scattered across the map. They are painted a ghostly white. In 1602, when Bartholomew Gosnold sailed into the southern terminus of the Gulf of Maine, its waters teemed with giant cod. That iconic fish is no longer abundant or giant.
“Woven together, the elements in “Stemming the Tide’’ provide a multifaceted and open-ended viewing experience.’’